I'm a journalist who reads the noise, finds the signal, and tells you why it matters, with a Kenyan eye on a global story. NEXUS just delivers it.
Every signal, four moves
What actually happened. The news, stripped to its core.
The context behind it. What it connects to, what it echoes.
Why it matters, to Kenya, to you, to what comes next.
The thing you can't stop thinking about after.
Here's the thing. NEXUS is different. Every signal follows one structure: what happened, the pattern behind it, why it matters to you, and the question worth sitting with.
Sharp, sourced, no fluff. Regular signals, straight to your phone. No spam, no doomscroll. Just the stuff worth knowing.
Uganda confirms seven Ebola cases as of May 25, 2026, the newest among healthcare workers in a Kampala hospital. Across the border, the DRC reports 904 suspected cases and 119 deaths (as of May 24, per the Congolese Ministry of Communication). The WHO has declared a global health emergency.
We know this border's rhythm. But the vaccines that turned the tide on recent outbreaks don't apply here. This is the Bundibugyo strain, with no approved vaccine or treatment yet. So the story moves back to basics: tracing, isolation, supportive care.
Infected health workers in an ordinary hospital, not a sealed unit. Translation: everyday infrastructure is the frontline. Biology doesn't check passports.
Are we building public health as steady infrastructure? Or just lurching from one emergency to the next, hoping science shows up in time?
The journalist behind the signal
I've spent 15+ years in broadcast journalism: anchoring news, hosting lifestyle and entertainment television, and producing shows from concept through to camera.
As Co-Host and Producer of What's Good Africa, I carried East Africa's music, fashion, and creative energy to audiences across Kenya, Tanzania, Uganda, and the United States. Before that, at K24TV, I anchored news while producing four weekly entertainment shows, including Arena 254, one of Kenya's leading music and culture programmes.
I'm trained in music too, an ABRSM qualification from Wynton House of Music in Nairobi, which means when I cover African creative culture, I understand the craft, not just the coverage.
More recently, I trained at the intersection of journalism and technology through an AI Fellowship with Deutsche Welle, in partnership with Africa Uncensored and Odipo Dev. The idea for NEXUS came out of that: a newsroom that uses the tools without losing the judgment.
That's the promise. The technology delivers it. I make sure it's worth reading.
Join the channel. See your first signal land. Decide for yourself.
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